Paxson envisions here the circumstances of the creation of the sword, Excalibur, which will later come into play in the King Arthur legends. Based on archaeological evidence of technology, she sets the time period in the latter part of the Bronze Age / into the beginning of the Iron Age when iron-smithing was a technological possibility.
The tribes of the British Isles are descending into war with each other as the climate is increasingly hostile and food becomes scarce. What is needed, believes Anderle, the current Lady of Avalon, is a King to lead the tribes back into unity. She believes this to be the destiny of the infant Mikantor, who she rescues from the fiery destruction of his tribe by that of a marauding band of renegades.
She does what she can to keep his existence hidden, but ultimately, the boy’s enemies realize that he is living. When he is finally captured, his life is spared when his captors sell him into slavery instead of killing them as they have been ordered to do.
Mikantor then spends some years in the Mediterranean, as the slave, and then companion and friend of Velantos, the smith of the soon to fall City-State of Tiryns. Mikantor learns the art of weaponry, and together with Velantos, who has had a vision that he is to forge a sword to be wielded by a mighty king, returns to the British Isles to take up his destiny.
Paxson’s character development does not live up to that of Zimmer Bradley’s, and the episodic, plot-driven story ultimately falls short of expectations, providing a quick read that doesn’t have a lasting impact, although teens may be satisfied with the action of the story.